Writer who stumbled into typesetting and the occasional cover wrap. Founder of King Shot Press, a micropublisher of radical literature. Currently in Portland, but also sometimes Athens and elsewhere.

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NOV 25 2022: Busy Business

If you’re someone like me who struggles to internalize accomplishments, then I think it’s important, especially when you’re feeling unproductive, to audit your output going back a year. There will always be months where it feels like nothing happened, and there will be months where it feels like everything happened. I spent much of 2022 working on independently-published books, doing my best to make them better.

January: MUSIC IS OVER! by Ben Arzate (typesetting), SMALL MOODS by Shane Kowalski (typesetting)

February: YOU PRAY FOR DRY WEATHER AT THE SIGHT OF THE SUN by J David Osborne (typesetting)

March: LETTING OUT  THE DEVILS by Kelby Losack (typesetting, bathroom graffiti)

April: JESUS CHRIST JOE by Selby (typesetting, cover wrap)

May: THE VACATION by Garth Miró (typesetting),  CORNUCOPIA by Lindsay Amaris Temple (typesetting, cover wrap), AURA by Hillary Leftwich (typesetting, image correction)

June: ISLAND TIME by Olivia Kan-Sperling (typesetting, cover wrap/spot UV outline from existing  design)

July: Worked on novel

August: Worked on novel

September: DONALD GOINES by Calvin Westra (typesetting, cover wrap, charcoals, audiobook censorship)

October: Moved into a house, built some things

November: POLO by Jinnwoo (typesetting, cover wrap using existing design)

December: EXPVT (Expat litjournal #5)

Seeing this all laid out makes me feel pretty good.